The Lion in Winter (1968)

Films fall under different genres the same way food dishes fall into various categories in a cookbook. Certain types of dishes have a specific recipe, the same way films of a certain genre have specific ingredients that make them work. While the average cook can accumulate the necessary ingredients to prepare a filet mignon, his dish will still not compare in quality to a steak made by an Iron Chef. In Anthony Harvey's historical costume drama The Lion in Winter, all the right components fall into place. But it is the brilliant acting of the cast that drives the film over the threshold of excellence.

Set in 1183 during Christmas in Chinon, Medieval France, The Lion in Winter follows King Henry II's (Peter O'Toole, Lawrence of Arabia) moral dilemmas of choosing an heir to the throne, and his quarrels with his ever-plotting wife Eleanor of Aquitaine (Katharine Hepburn, The African Queen). King Henry arrives at Chinon to celebrate Christmas and simultaneously negotiate the terms of a treaty with King Philip II of France (Timothy Dalton, License to Kill). After releasing his bitter wife Eleanor, who he had locked up because of her numerous attempts to overthrow him, Henry plans to appoint his clumsy, bumbling son, Prince John, to the throne. However, his clever queen attempts to stir things up and have Prince Richard (Anthony Hopkins, The Silence of the Lambs) inherit the throne, and in the process acquire back The Aquitaine from Henry. Throughout the film, the plot progressively thickens, and the drama unfolds into a feverish climax.

Some of the main features of The Lion in Winter that make the film a hit are its detailed costumes and even more intricate sets. The use of wide shots to capture key scenes reflects positively on Anthony Harvey's craft as a director. While Harvey has not directed many films, he had worked as a film editor on many classics such as Dr. Strangelove.

The sets are grand, and the costumes fine, but it is the high quality of acting that is jaw-dropping and sky rockets this movie to greatness. O'Toole plays Henry II for a second time in a film (the first, Becket in 1964) completely showing a brand new side of the charismatic ruler. O'Toole's performance resonates with such energy that he fills his character with many layers of personality. Hepburn's portrayal of the scheming Eleanor is flawless. Her screen presence is unfaltering, and her chemistry with O'Toole adds character to the theatrical flow of the movie. In addition, a young Hopkins and Dalton make their debut in The Lion in Winter. Their portrayals of Richard I and Philip II respectively give viewers a taste of their future talent.

The Lion in Winter shows that powerful acting goes a long way. The film is a must see for theater lovers, cinema buffs or anyone just looking for high-quality entertainment.