Godspell

Last weekend, Cabaret Theater wrapped up its production of Godspell to a sold-out house. Packed with energy and excitement, the production sets the bar high for student-run shows.

Written by Stephen Schwartz (Wicked) and John-Michael Tebelak, the musical chains together Biblical parables (mostly based on the Gospel of Matthew) and rocked-out traditional hymns. Because there are no stage directions, no character names, no assigned songs, and no given plot points, the text is up for interpretation.

The version staged at Cabaret Theater places the show in a bustling, urban setting. Judas stands in the busy streets spreading the word of Jesus while handing out tickets to prospective believers. Those who are swayed by him meet up at an unknown, abandoned location and become actors putting on a show.

Though the idea was original, it seems reasonable to question the plot points. Most predominantly, there was a disconnect as to why the actors would want to follow Judas; most of the actors' characterizations did not hint at any personal reasons to find faith. In the end, the setup almost made the death of Jesus artificially dramatic.

However, the acting and energy of the performers made these details almost forgettable. Marc Mills's portrayal of Jesus was natural and crafted into a gentle, humanized religious figure. Jake Esformes was pensive, carefully layering Judas's emotional complexities. Other cast members, including Lauren Sagnella, Amanda Rich, Alexandra Bancroft, Chelsea Cortes, Priscilla Pagan, Anna Zailik, Joseph Asaro, Virgil Cabrian and Christopher Pasi, crammed vitality into the black box theater. Even the trio of nonbelievers (Rose Flahive, Mark Piltz and Eddie Souaid) effectively molded themselves into their respective roles.

Musically, Godspell was impressive. Musical Director Matthew Brady successfully helped each actor develop a specific voice amidst the sea of talented vocalists. He also led pit members Kevin Tobia, Greg Salmon, Ryan Salmon and Aaron Allen to flawlessly tackle the rock score.

Director Sarah Esmi, combined many elements to thoughtfully execute the musical. Jesus symbolically wiping heavy black makeup off of an actor was a nice touch. Additionally, the final scene evoked chaos and loss as the characters were robbed of their props, wall paintings and spiritual leader.

Though the text and concept lacked harmonization at times, the talent and energy that went into creating Godspell overshadowed the flaws. The production was creative, upbeat and fun for just about anyone.