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La Cage Aux Folles | C

Longacre Theatre

Theater Editor

Published: Thursday, September 2, 2010

Updated: Thursday, September 2, 2010 00:09

La Cage Aux Folles

Courtesy of Joan Marcus

Based on Jean Poiret's 1973 French play of the same name, Harvey Fierstein's book and Jerry Herman's music and lyrics promise La Cage Aux Folles to be a flashy, fun-filled evening. Yet through the grandiosity, the current production can't help but carry an outdated feel that overpowers the talent and overall experience.

The title of the show (French for "The Birdcage") directs us to the show's setting: a Riviera nightclub that holds transvestite burlesque entertainment. Georges is the manager of the establishment, and his romantic partner Albin stars as the main attraction. When Georges' son, Jean-Michel, is faced with introducing his fiancé's ultra-conservative parents to the pair, a plot to gain their acceptance is formed.

The storyline of La Cage aims to humorously highlight the intolerance of homosexuals in society and stand up for the right to be gay. Socially, this is still a relevant topic and keeps things meaningful. However, the display of ostentatious homosexuality is less likely to stir gut-busting laughter. Compared to the ‘70s, much has been done to further equality and acceptance, and it's unfortunate that the script relies so heavily on this for its momentum. And what's worse is that the musical moves slowly, hindering the comedy and treading through the material at a snail's pace. It isn't until the second act that the future in-laws actually come to visit!

Despite being suppressed in a birdcage of their own, the comedic timing of the actors saves the show. Kelsey Grammer, playing Georges, delivers lines and jokes well, though he is nothing groundbreaking. His reserved persona is a nice contrast to Douglas Hodge, who plays his flashy counterpart Albin. Hodge is funny and everything the role requires. His false air of confidence and woe-is-me attitude are cleverly delivered.

But by far the most entertaining chunk of talent lies with the nightclub's womanly performers. Men dressed head to toe in sultry female apparel dance, sing and act their way through energetic musical numbers. They're sexy triple threats that crack through the frozen plot. If there's a reason to see the show, they're it!

With all of the talent in La Cage, the show can't help but "drag" on with its flimsy plot. Sure, it's a fun show drizzled with some talent. But with ticket prices being so costly these days, it might be wise to demand more out of Broadway and see a show worth every penny.

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